Michael Niewodowski worked as a chef at the Windows on the World restaurant at the WTC until Sept. 11, 2001.
Moore’s film is the first major motion picture about Sept. 11, 2001. This bears repeating. When future generations look back on the Sept. 11 massacre, their first impression, through the medium of film, will be a work in which the president and the government are blamed for the attacks, and the soldiers who are protecting this country are defamed. Instead of a film version of Lisa Beamer’s book, “Let’s Roll,” or Richard Picciotto’s “Last Man Down,” we are presented with this fallacy. How could this happen?
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Could we have been more prepared for a terrorist attack on Sept. 10, 2001? Certainly. Could we have been more prepared for an attack on Dec. 6, 1941? Most definitely. In the weeks and months following Pearl Harbor, there were reports and criticisms that the government and military should have been more prepared. The difference is that the people of the nation did not waste a lot of time pointing fingers at each other. Rather, they unified and engaged the enemy head-on. I guess that is why we call them “The Greatest Generation.” How will future generations refer to us?
So, how do we explain Moore’s film to future generations? I wonder. More than that, I wonder how I would explain this film to Nancy D., Jerome N. or Heather H. I am sure you don’t know their names, but their faces haunt me day and night. How would I explain to them that a film was made accusing the president and vilifying the soldiers, the same president and soldiers who are attempting to avenge their murders and protect other citizens. Moore has not only insulted the nation, he has insulted the victims of the terrorist attacks.
During his acceptance speech at the Oscars, Moore said, “Shame on you, Mr. Bush.” Well, I say, “Shame on you, Michael Moore.” Shame on everyone who supports this travesty of a film. Shame on a society that allows this sham of a film. You have weakened the nation.
hat tip – Roger Simon